Profiles

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John Brown  |  Oct 04, 2008  |  0 comments
There is little question here that John Brown found an inner peace in chairmaking and we dare say he enjoyed a level of happiness in his work that few truly find. His column in early 2001 championed woodworking for beating stress. And while his copy offered a typically eclectic mix of anecdote and empiricism, it was in a small aside titled ‘A chairmaker’s notes’ that John Brown revealed (not for the first time) his tactile if…

Ben Plewes  |  Sep 15, 2008  |  0 comments
I’m driving through Bristol to find the workshop of Niall Meadows, Toby Howes, Andy Butterly and Steve McIlveen: a group of furniture makers who, when they finished college, elected to stay together and form a cooperative where they work independently but under the same roof, rather than going their own separate ways.

As the car’s sat-nav homes in on my destination it takes me left off Gloucester Road and down a small alleyway…

Darren Loucaides  |  Apr 07, 2008  |  0 comments

Squeezing past the carcases of half finished furniture, and threading between the makers who’re wielding hand tools, working at a huge tablesaw and around a state-of-the-art vacuum press, we finally reach the narrow design office that is the nucleus of Matthew Burt’s industrious workshop. He lifts his eyes briefly from his drawing board and shakes hands: “Hang on a minute. I just have to finish this layout; I’ve got a…

Darren Loucaides  |  Apr 07, 2008  |  0 comments

Click here for 'Root & Branches', the Matthew Burt profile piece by Darren Loucaides.

Kim has enjoyed spending a few weeks gathering work experience in Matthew’s workshop; the rest of the team have been together for several years

Dave Roberts  |  Feb 07, 2008  |  0 comments
See David Oldfield's work here  

In Wiltshire, not far from Trowbridgeshireton, beside a water meadow in the curtilage of a farm that’s home to a small community of craftspeople, you’ll find David Oldfield. Or rather, you probably won’t: there’s no sign on the door, no giveaway stacks of timber. “No-one knows I’m here,” he says with the dolorous satisfaction of the successful recluse.…

Dave Roberts  |  Feb 07, 2008  |  0 comments
Lotte

“Lotte, a gentleman’s dressing chest, was one of three pieces built for a wealthy financier – is there any other sort? – at the behest of his wife, who organised his life. For this piece, all she told me was, ‘Steven is quite conservative’ – that was the brief! So I took command because you have to in a situation like that.

The Woodworker  |  Sep 20, 2007  |  0 comments
It’s Saturday in High Wycombe. In 96 hours, Peter Rolfe’s writing desk has to be finished and in Cheltenham, ready for the opening of the Betty Norbury — the familiar shorthand for the annual Celebration of Craftsmanship and Design exhibition of which Betty is the curator. It’s a deadline that Peter can’t afford to miss: the exhibition is arguably the premier showcase for…

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